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Pen and Prose

Art and the First Amendment

On February 19, 2025, Fox 4 News in in the Dallas Fort Worth area posted an article about the seizure of photographs from the Modern Art Museum. Those photographs were part of a display from artist Sally Mann titled “Immediate Family”, which was part of a bigger exhibition called “Diaries from Home” You can read the article here, and I recommend you do. It would help you understand the rest of this article.

 

According to the article, the Modern Art Museum exhibited 13 photographs that showed the artist’s children in the nude. One of the photographs was of her “daughter jumping onto a picnic table in a ballet pose”, and one of her “son with a melted popsicle running down his body”. I wanted to go see this exhibition since it sounded interesting on the Modern’s Facebook page, however it didn’t specify the exact nature of the photographs, and I never made it to the modern before the exhibition ended.

 

In that same article, the legal director of the Texas ACLU, Adriana Piñon, was quoted as saying “it’s shameful that government officials would use the criminal legal process to censor art and expression”. She further stated that “anyone who’s ever taken a photo of their child or grandchild taking a bath understands that not all photographs of child nudity are malicious, let alone child abuse.” In the opinion of the Texas ACLU, “The First Amendment means that government has no power to restrict expression because of its message, its ideas, its subject matter or its content except in a few well-defined and narrowly limited classes of speech such as defamation, incitement, obscenity, and child pornography. No such exception applies to Mann’s photographs.”

 

The ACLU legal director goes on to say that “the works do not meet the legal definition of ‘obscenity’” and tells the reader that this should be common sense to anyone familiar the iconic “Napalm Girl” photograph, National Geographic documentaries, or even the 1978 film “Superman.”

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“The Terror of War” by Nick Ut, 1972. Commonly referred to as "Napalm Girl."

Lastly, the article states that in Miller v. California, the Supreme court created a three-part test for determining if expression is considered legally obscene. Works must meet all three parts of this test to fall outside of First Amendment protection. Those parts are:

  • “A work may be banned as obscene only if taken as a whole, the average person, applying contemporary standards would consider it to appeal to the prurient interest;

  • It depicts or describes sexual conduct in a patently offensive manner;

  • And it lacks serious literary, artistic, political, or scientific value.”

     

I will get to my opinion in a minute, but I want to pose some questions to you? If someone posts photos of their nude child - say in a bathtub - in a public place (a museum perhaps?), does that constitute child abuse? What if it was identical to the photographs stated above? A child jumping on a table? Does it have to have malicious intent to be considered abuse, or does the fact that it can be accessed by a predator make it abuse? If there was a way to prevent predators from viewing the photo, would it be considered art? Or as the ACLU Texas states, are the photographs allowed to be displayed as art because they were “neither intended nor designed to excite lust in the viewer. They do what much art does – convey ideas and invite viewers to reflect on the human experience?”

 

And now for my opinion on the matter. As I have never seen these photos for myself, I can only speculate on how “nude” the children were. That being said, there is a form of trust that is required when it comes to the Fort Worth police department decision to pull the photographs. The article states that they are conducting an investigation, which suggests that their actions may have been more about preventing potential harm to the children and mitigating further controversy—if there was any harm to begin with. In this case, removing the photographs, at least temporarily, seems like a precautionary measure. It’s better to be safe than sorry, and by taking down images that some considered obscene, they effectively halted the perceived issue. 

The second thing that came to mind as I read this article was, if the children were indeed fully nude, and private parts were visible in the photographs, why did the artist choose to show them that way? Could you convey the same message through a photograph if the child had a long T-shirt on, or maybe a set of pajamas? Would clothes really have diminished the artistic intent? As a parent of several children, I probably have a few photos of them in the tub, but it has never occurred to me to show them publicly. Am I abnormal for not showing them publicly?

 

I think there should be some form of common sense in the art world where an age limit for nudity is established, and anyone above that age limit should give consent to display their nude body. Obviously, we can’t retroactively censor artists like Monet, Picasso or Van Gough, and we shouldn’t start hiding historic art in back rooms or basements, however, common sense should have prevailed in this case, on the part of the artist, the museum’s leadership, and those responsible for the curating the exhibition.

 

Ultimately, art is in the eye of the beholder, and this recent article post is a great example of that.  In it, artist Walead Beshty sends glass block through the mail all over the country, allowing them to break in transit. Some people on the Facebook post I saw dismissed the idea entirely, calling it pointless, or made jokes about how this artist was highlighting FedEx’s poor shipping practices. I personally enjoy the rough, chaotic, and unpredictable nature of this series, and am a bit disappointed that I didn’t think of it first (lucky duck Mr. Beshty!)

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Glass Sculpture by Walead Beshley

The last thing that came to mind was how different “Napalm Girl,” and National Geographic photographs are from this exhibition. I can understand how National Geographic could post photos of indigenous communities, helping the world to understand their culture. Similarly, Nick Ut’s photo from 1972 shows the horrors of war in a distinct way. Both serve a greater purpose - they enhance our understanding of the world, allow us to learn from past mistakes, and deepen our compassion for others who share this planet with us. Can we really say that Sally Mann’s photographs achieve the same impact on our world? I think the distinction is significant.

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